Friday, September 25, 2009

Robert Frank @ the Met

How does the “The Americans” come across today? In the nominally post-racial Obama era, its political urgencies feel less immediate than they once did, but also prophetic. Its mournful tenderness, without being sentimental, seems deeper than ever. The days and nights it records are more than a half-century gone. The preacher, the nurse, the woman hidden by the flag, the sharp-eyed woman and the tearful black man on the trolley are, you imagine, gone.

Heartfelt article by Holland Cotter, on Robert Frank's The Americans, at the Metropolitan Museum of Art.